‘The pain of being a woman is too severe!’ – The films of Roberta Findlay: The Oracle (1985)

Two highly distinct approaches become discernible when taking a closer look at Roberta Findlay’s post-porn career in mainstream filmmaking. The, be they gritty or be they tender in nature, highly personal stories told in the quite straight “Tenement” (1985) and “Lurkers” (1988) as well as the madcap insanity prevelant in in the more tongue in cheek than anything else “Blood Sisters” (1987) and this one, her very first film post transitioning. More in line with the snarky, self-deprecating public persona the introverted directress created for herself than her remaining filmography, they revel in a unique, utterly off-beat understanding of humor while falling somewhat flat in their more traditional conceptions as horror films. In contrast to some of her greatest achievements in Golden Age pornography, they are always two steps away from outright comedy, playing the game straight and yet sabotaging the expecations of a horror crowd with small, intentional but never narrative based acts of directorial transgression. Big guy John Fasano fleeing the scene in the most hilarious fashion imaginable and the way Elizabeth Rose’s glasses seem to prefer viewing directions of their own volition otherwhile – weird flourishes like these place “Blood Sisters” in its own goofy corner equal steps adjacent to completely serious and satirical peers. Even more than Findlay’s sorority girl slasher “The Oracle” utilizes these interfering agents to bridge what would otherwise be considered barren gaps in a drawn out horror narrative – with sound being, as per her unmistakable habit, one of the prime instruments. Weiterlesen…